These are the participants of RIDCC 2025!
Here you can find all the information about the duets, choreographers and dancers
Dream a Little Dream of We – Tamara Fernando
An Existential Duet – Iannes Bruylant & Anna Benedicte Andresen
Ki – Iga Włodarczyk & Katarzyna Zakrzewska
Brothers – Justin de Jager & Sem Deliveyne
Tan a prop – Júlia Godino Llorens & Alexa Moya Panksep
Trångt – Tilda Åsberg & Albert W. Buchreitz
Whispers of an ending – Giovanni Napoli
VISCUM – Noé Chapsal
Mirror Maze – Laura Perron & William-Nicolas Tanguay
In my shoes – Nikita Zdravkovic
Push and Pull – Lai Hung-Chung
Mmasediba – Nomasonto Radebe
For what is to come – Maciej Kuźmiński
Pandora – Chen Shuchang & Shi Renqi
Sticky Ends – Fan Xiaoyun
RAKKE – Louis Thuriot & Patricia George
Dream a Little Dream of We
By Tamara Fernando
About the choreography Dream a Little Dream of We
The work explores the transition from individuality to collectivity, where two bodies confront the illusions and expectations projected onto each other. It questions what shared reality we truly experience, as the dancers challenge and share their perspectives, navigating between solitude and fusion, mimicry and rejection. They express the tensions and contradictions of mutual perceptions. From isolation to unity, the dancers seek to find their place within the collective “we,” stripping away the masks of illusion and exploring the complexity of human connection
About the choreographer
Tamara Fernando is a French-Sri Lankan choreographer. She has danced with Ballet National de Marseille, Ballett Basel, and Blanca Li, collaborating with artists such as Stromae and Prince. In 2021, she founded La Mamma Company to develop her choreographic work. Her pieces Malafemmena, Dream a Little Dream of We, and Parle avec elle(s) explore themes of gender and intergenerational dialogue. Alongside her work with the company, she also collaborates on external projects in theater and live music. Her work has been supported by CCN Ballet de Lorraine and Micadanses.
Credits
Choreography: Tamara Fernando
Performers: Matthew Totaro & Tamara Fernando
Music: Nils Frahm: Says
Text: Alan Watts
An Existential Duet
by Iannes Bruylant & Anna Benedicte Andresen
About the choreography An Existential Duet
A Belgian gay atheist and a Norwegian Christian young woman solving your existential problems through dance? Maybe not, but performers Anna Benedicte Andresen and Iannes Bruylant will sure give their all to try. A performance about friendship and trust, exploring the boundaries of what’s considered cliché and moving beyond it. Voice and body are used in expressions of gratitude as the dancers share a moment with each other and with the audience.
About the choreographers
Iannes Bruylant is a Belgian dancer, choreographer, and scientist based in Norway; holding degrees from Artez, School of the Arts (NL), and Ghent University in Medicine. He has performed with renowned companies such as Jo Strømgren Kompani, Nagelhus Schia Productions, Panta Rei Danseteater, and Scapino Ballet. His work has toured around Europe and has been supported by Dansens Hus (NO) Baerum Kulturhus (NO) Dansateliers (NL) & Moving Futures (NL).
Born and raised in Hamar, Norway, Anna Benedicte Andresen is currently based in Oslo, working with Jo Strømgren Kompani. A graduate of the National Academy of the Arts (KHiO) in Oslo with a degree in Contemporary Dance, she has collaborated with choreographers and companies such as Nagelhus Schia Productions, Ingrid Berger Myhre, Stian Danielsen, and Alan Lucien Øyen. Her versatile artistry spans a variety of creative projects across Norway and Europe.
Credits
Choreography: Iannes Bruylant & Anna Benedicte Andresen
Performers: Iannes Bruylant & Anna Benedicte Andresen
Music: Céline Dion – On Ne Change Pas
Outside eye: Ian Ancheta & Orfee Schuijt
Ki
by Iga Włodarczyk & Katarzyna Zakrzewska
About the choreography Ki
A force that moves without name, shaping what is and what will be. One moment stirs the next, one choice shifts another. They do not speak, yet they answer.
ba-da-dum
About the choreographers
Iga Włodarczyk completed the International Dance Journey Program in Kibbutz Contemporary Dance Company (Israel). Graduated with a bachelor’s degree in Contemporary Dance and Choreography from the AHE University (Łódź, Poland). Completed apprenticeship in the Main Company of Kibbutz Contemporary Dance Company and Polish Dance Theatre.
Her solo choreography Figa won the first prize and the audience award at 10th edition of 3…2…1… dance competition in Cracow, she became a finalist of 13th edition Solo Dance Contest in Gdańsk and performed during 25th edition of International Dance Days in Lublin.
Co-Founder of Moving Lands Dance Foundation.
Katarzyna Zakrzewska studied in Elephant in the Black Box (Madrid, Spain). Currently a dancer of IVONA Dance Company. Dancer in a Solo projectI(CE) S(CREAM) Bolero Femme by Jill Crovisier.
She co-choreographed performances Od Obok (Poland) „S.O.S”(Poland-Lithuania), and Do you believe with DAF Arts Faculty in Rome.
Credits
Choreography: Iga Włodarczyk & Katarzyna Zakrzewska
Performers: Iga Włodarczyk & Katarzyna Zakrzewska
Music: Improvisació 1 (Live) by Bobby McFerrin
Brothers
by Justin de Jager & Sem Deliveyne
About the choreography Brothers
Brothers focuses on the theme of ‘brotherhood’. A journey through entanglements and struggle, but also intimacy and connection. The piece is embodied by the movement concept of threading, which comes from breaking. The brothers are stuck in a loop and feel a deep desire to break loose. Once separated, they wish they didn’t.
About the choreographers
Justin and Sem both started as breakers with a profound love for the movement concept of Threading. After taking their own journey through the dance world, their paths crossed in 2019. Since then they have been training, researching and creating together and they collaborated on many different projects. This resulted in their theatre work Brothers, which premiered during HWLAN at Korzo in The Hague. Since then, they performed Brothers at many different festivals, collaborated on music videos and developed their own workshop methodology around the philosophy and principles of the piece
Credits
Choreography: Justin de Jager & Sem Deliveyne
Performers: Justin de Jager & Sem Deliveyne
Music: Andreas Tegnander
Partners: DOX, Korzo & Sample Culture
Tan a prop
by Júlia Godino Llorens & Alexa Moya Panksep
About the choreography Tan a prop
In Tan a prop, the two performers encounter each other on a solidified sculpture a concave, tiny, firm yet fragile platform, symbolizing the complicity of bodies in intimacy. On it, they test the limits of balance and cooperation to stay atop, reflecting human relationships: vulnerability and strength, being present with the other. Working with an external element, both dancers and audience surrender to the unpredictable behavior of a material that does not depend on them. The plaster’s behavior, depending on how it was mixed, poured, and dried, breaks, cracks, or flakes in one way or another, shaping the piece and moving the performers instead of them shaping it.
About the choreographers
Júlia Godino Llorens and Alexa Moya Panksep are dancers and choreographers based in Antwerp and Barcelona, respectively, co-directing the contemporary dance company Les del Picnic, founded in 2018. Their collaboration began with the award-winning duet Picnic on the Moon, and the company has since expanded through interdisciplinary projects, blending dance, sculpture, and live music in works like Residència 0 (2020), Tan A Prop (2021), and Amongst the Green Grass Live the Poppies (2021). Both artists have collaborated with numerous European choreographers and companies. They are currently developing a new piece called Els Dies Raros (Odd Days) and exploring movement-sharing through education and workshops.
Credits:
Choreography: Júlia Godino Llorens & Alexa Moya Panksep
Performers: Júlia Godino Llorens & Alexa Moya Panksep
Music: Adrià Girona
Sculpture design: Xim I. Rabassa
Company: Les del Picnic
Trångt
by Tilda Åsberg & Albert W. Buchreitz
About the choreography Trångt
In a small space two characters find their way to challenge the borders of their worlds. Finding true meaning in what at first glance might appear insignificant. As they yield to their environment, they uncover new ways to connect, adapt, and redefine their physical and emotional landscapes. Trångt explores the unbound potential a physical limitation can provide and how the smallest shifts in perspective can open infinite possibilities. Through movement, proximity, and resistance, the piece invites the audience to witness the beauty that emerges when space is both a boundary and a source of transformation.
About the choreographers
Albert W. Buchreitz is a Danish dancer based in The Netherlands. Currently he is doing his bachelor’s degree in Contemporary Dance at ArtEZ University of the Arts.. Prior to ArtEZ Albert has been training in musical theatre where his interest in combining multiple disciplines began. In addition, he studied at The Royal Danish ballet school in Odense where he explored performing through the body as the primary medium. In 2021 he joined The Nimble Project. In this youth company he toured and performed in multiple places in Europe. During his studies diving into making has become a bigger part in Albert’s practice.
Tilda Åsberg, originally from Sweden, is currently based in Arnhem, the Netherlands, where she is pursuing a bachelor’s degree in contemporary dance at ArtEZ University of the Arts. Prior to her studies at ArtEZ, she received training in various styles including contemporary dance, ballet, and jazz. Tilda has collaborated with choreographers such as Julia Ehrstrand and Zala Pezdir in various projects. In addition to her dance training, she has developed her own creative practice as a maker, creating and performing original solos and duets in places including Skapa Dans, Theater aan de Rijn and Museum Arnhem.
Credits
Choreography: Tilda Åsberg & Albert W. Buchreitz
Performers: Tilda Åsberg & Albert W. Buchreitz
Whispers of an ending
by Giovanni Napoli
About the choreography Whispers of an ending
Whispers of an ending is an intimate portrait of what remains when a relationship comes to an end: when words no longer find their place, ears stop listening, and bodies dissolve into distant worlds, like finding yourself in a foreign land, far from home, where all that remains is the echo of an unknown language, a sound we can barely understand. It is a journey into the fragility of endings, into that profound solitude where the soul wanders. But it is also a celebration of life, because right there, in the ending, lies a secret: it is not void that awaits us, but a hidden new beginning.
About the choreographer
Giovanni Napoli began his studies in Palermo (Italy) and soon embarked on a professional dance career. He first joined the Junior Balletto di Toscana and after he became part of MM Contemporary Dance Company. In 2013, he moved to Cologne to join InCompany. Since 2019, he has been a soloist at Staatstheater Augsburg. Alongside his performing career, he has developed a strong voice as a choreographer, gaining recognition both nationally and internationally.He has created works for several prestigious companies, including Mecklenburgisches Staatstheater, Theater Lüneburg, Theater Plauen-Zwickau, Staatstheater Augsburg, Delattre Dance Company, DART, Compagnia EgriBianco Danza and DAF.
Credits
Choreography: Giovanni Napoli
Performers: Giulia Zorzete Finardi & Alfonso Lopez Gonzales
Music composition: Giuseppe Villarosa
Costumes: Louise Flanagan
Light design: Ron Heinrich
Dramaturgy: Sara Mössner
Concept: Giovanni Napoli and Francesca Poglie
VISCUM
by Noé Chapsal
About the choreography VISCUM
Viscum is a bold and attractive danse essay where the body is fully engaged.
Beyond the form, this piece talks of intensity, of attempts – as exhausting as beautiful – to walk towards the other, consent, and the fair distance between two bodies.
Using a lightning, acrobatic and feline gesture, two individuals dressed in black leather clink against one another and follow along in a tight space. During 35 breathless minutes, they go through clumsy, violent and moving steps to meet each other.
About the choreographer
Noé is a self-taught dancer and choreographer, he trained in the world of competitions. In 2014, Noé won the title of French solo champion (Red bull bc one France), and several international group competitions. The notoriety these awards have brought him has led him to travel and discover hip-hop dance in different countries, where he have forged a comprehensive and critical view of it.
7 years ago, a meeting with a teacher specializing in functional body analysis changed his relationship with the body, opening him up to a deconstruction of his dance, and a more multifaceted aesthetic.
Noé began working as a performer in 2018 and went on to work with hip-hop and contemporary companies such as Mellina Boubetra, Ayaghma, Chey Jurado and Naïf Production.
In 2024, he created my own company, Les corps jetés, and presented his first piece : Viscum.
The performance, which received rave reviews at the Avignon Festival in 2024 at the Théâtre des Hivernales, is now on tour, with thirty dates planned for the coming year. Viscum also won a prize at the Sobanova Dance Awards in Paris.
Credits
Choreography: Noé Chapsal
Performers: Charlotte Louvel & Noé Chapsal
Music: Christophe Ruetsch
Thanks to: Charlotte Louvel
Mirror Maze
by Laura (Mielle) Perron & William-Nicolas Tanguay
About the choreography Mirror Maze
Mirror Maze is a contemporary duet that teeters between entertainment and unease, unpacking how our modern society glorifies and distorts sexuality and youth. The piece exposes the fine line between innocence and suggestion, of what is entertaining as opposed to scandalous. Sensuality drives the work—both as an emotional (sensual) and physical (sensuous) experience—where anticipation builds but never fully resolves.
Like a maze of mirrors, our sexuality reflects our deepest aspirations—but also our illusions. What we perceive as an individual expression is, in reality, a simulacrum of the multitude, an echo of collective expression
About the choreographers
Laura (Mielle) is based in Montreal since 2019, Laura is the co-founder and choreographic director of the Willow collective, which she established in 2018 alongside William-Nicolas Tanguay. Her career as a performer naturally evolved to include production, choreography, and artistic direction, notably through Roman.e, a 30-minute original work commissioned by Tel-Aide Montréal and presented at La TOHU, and Mirror Maze, a 10-minute original work that will be presented this summer at Festival Quartiers Danses (FQD). In her early career, she independently produced a solo project (A Prayer, 2020) and 2 short films (Call You at Noon, 2021, Outside In, 2022).
William is originally from Lac-St-Jean, William-Nicolas moved to Quebec City in 2014 to pursue dance training at EDQ. In 2018, he participated in Révolution alongside Laura Perron, marking the beginning of their duo and their company, Willow Seeds. For the past three years, he has specialized in creation, production, and artistic consulting, collaborating with Fleuve | Espace danse, C2 Montréal, Agence Gustav, and Corpus Collectif. Simultaneously, he is pursuing studies in linguistic anthropology at UdeM to enrich his practice through a transdisciplinary approach blending arts and sciences.
Credits
Choreography: Laura (Mielle) Perron & William-Nicolas Tanguay
Performers: Laura (Mielle) Perron & Charles-Alexis Desgagnés
Music: Claudio Constantini, Rosso Modo, Hara Noda
Special thanks to: Zachary Van Gils and Charles-Alexis Desgagnés
In my shoes
by Nikita Zdravkovic
About the choreography In my shoes
This piece explores the hidden stories we keep locked away—truths we fear sharing because of judgment. It delves into the inner child we protect yet struggle to outgrow, the fears we nurture even as we try to escape them, and the quiet obsessions that shape us in ways we don’t fully understand. It’s about the contradictions we live with, the secrets that define us, and the tension between wanting to be seen and needing to hide.
About the choreographer
Nikita Zdravković is a dynamic ballet artist whose career has taken him from Belgrade, Serbia, to some of Europe’s most distinguished stages. He began his professional journey in 2017 at the Dortmund Opera, first as a member of the Junior Company before advancing to the Dortmund Ballet. His exceptional artistry and technical prowess soon led him to the Staatsoper Hannover in 2019.
Beyond his work as a dancer, Zdravković has embraced his own creative voice, exploring the art of choreography. His time in Hannover provided him with a platform to develop his first independent projects, allowing him to step into the role of a creator and push the boundaries of his artistic expression.
With a career shaped by innovation, discipline, and a deep passion for movement, Nikita Zdravković continues to evolve as both a performer and choreographer, leaving an indelible mark on the world of contemporary ballet.
Credits
Choreography: Nikita Zdravkovic
Performers: Maurus Gauthier & Jamal Ulhman
Music: Palimpset – Smog & Unfinished business – Trent Reznor
Push and Pull
by Lai Hung-chung
About the choreography Push and Pull
Push and Pull centers on push and pull as core movement language, questioning how we find balance within contradictions. The piece reveals equilibrium as endless adjustment and adaptation. LAI Hung-chung fuses Tai Chi philosophy with principles of physics, creating a dialogue where dancers LEE Kuan-ling and LU Ying-chieh investigate proximity through weight transfers, suspended glides, exploring distances and tensions between bodies. Their interplay reflects Taiwanese society, addressing sovereignty and gender issues while examining how we position ourselves within collective spaces. Through this physical dialogue, the work seeks an unnamed balance between opposing forces—a metaphor for our shared human experience.
About the choreographer
Lai Hung-chung, Taiwan National University of Arts graduate, founded HUNG DANCE in 2017, transforming Taiwanese choreography. His work fuses Tai Chi elements with contemporary concepts, creating innovative dance vocabulary. In 2016, he won record-setting gold and three awards at Taiwan Creative Dance Competition. His acclaimed works include Boundless (2018), See You (2020) —nominated for Taishin Arts Award and receiving nine five-star reviews at Edinburgh and Adelaide Fringe Festivals—and Birdy (2023), which sold out 20 shows at Festival OFF Avignon. In 2019, he established Stray Birds Dance Platform supporting emerging choreographers and international collaboration.
Credits
Choreography: Lai Hung-chung
Performers: Lu Ying-chieh & Lee Kuan-ling
Music: KUO yu
Lighting Designer: Tsai Chao-yu
Mmasediba
by Nomasonto Radebe
About the choreography Mmasediba
Mmasediba is a duet that seamlessly blends various dance forms, creating an afrofusion piece that highlights the diverse yet interconnected trajectories women experience. Drawing inspiration from traditional dance forms, rhythm, and hip-hop, this piece captures the essence of these different styles, fusing them into a powerful, cohesive performance.
The choreography is dynamic, reflecting the movement and emotional growth of the piece. It begins and ends in the same place, symbolizing the cyclical nature of the journey women face—marked by challenges and triumphs, yet continuously evolving. The movements reflect the strength, resilience, and complexity of women’s experiences, with each gesture and phrase representing a distinct yet shared narrative.
The piece is designed to mirror the layers in the music, with both the movements and the score growing together, creating a harmonious relationship between sound and action. As the music builds, so too do the movements, intensifying with the story being told through each step. This duet not only explores the physicality of different dance styles but also offers an emotional depth, celebrating the unity and individuality of women’s stories.
About the choreographer
Nomasonto Radebe is a South African dancer, choreographer, facilitator, and curator, with a notable career spanning performance, choreography, and arts administration. Currently serving as the resident choreographer at Luthando Arts Academy, she has made a significant impact on the local and international dance community.
Radebe’s artistic journey began in her childhood, with early training in various dance forms at Moloantoa Primary School and later at Jabulile Secondary School. She refined her craft through further studies at Moving into Dance Mophathong, where she graduated in 2012. As a performer, she was part of the Vuyani Dance Theatre, contributing to acclaimed productions.
As a choreographer, Radebe’s works such as Mmasediba (2023), Drag: The Judgement Day…, and Cracks and Beauty (2016) have been showcased at prominent venues like the South African State Theatre. Her choreographic style is known for its depth and social relevance, earning her recognition across the dance community.
Radebe’s leadership extends to curating artistic events, notably through her mentorship at Luthando Arts Academy, where she has been appointed as curator for the KOSHA Summer Fest. Additionally, her roles in arts administration, having served as assistant administrator and later administrator at Luthando Arts Academy.
Through her multifaceted career, Nomasonto Radebe continues to shape the future of South African dance, inspiring future generations of artists while contributing to the cultural and artistic landscape both locally and internationally.
Credits
Choreography: Nomasonto Radebe
Performers: Nomasonto Radebe & Seipati Tswaela
Music: Rise up by Various Artists, among others Greenwood Rhythm Coalition
Light designer: Nkosingiphile Dlamini
Dramaturge: Luyanda Sidiya
Artistic Director: Thoko Seganye
For what is to come
by Maciej Kuźmiński
About the choreography For what is to come
In 2022 the biggest refugee crisis since World War Two was caused by Russian military aggression on Ukraine. As a result 8 million Ukrainian refugees fled their homes within 2 months. For what is to come portrays the power of compassion in the face of an individual’s crisis. It is a tribute to Polish women, who played an extraordinary role in supporting refugee women and children from Ukraine, becoming their confidants and companions in homes, night shelters or therapy offices.
Slowly, like a falling wase, I gather my strength before the dams open, don’t let them.
Me of memory, of projected past onto the present, in exile from peace, still in stillness.
But then her kind presence is transition, stillness is moved, and I believe again.
Find a human-like shape and depart. One step at a time.
About the choreographer
Born in 1985 in Poland, living in Rotterdam since 2023, Maciej Kuźmiński is a choreographer of the transformation generation that remembers the world without cellphones and Internet, and his country changing from socialism to democracy. His works are often described as pure and poetic, with a grounded, dynamic movement language. From the outbreak of Russian War in Ukraine, he often focuses on the topic of war, working with Ukrainian artists-refugees to deal with “this most significant event in the lives of millions of people, including mine”. In recent years Maciej started creating for larger dance companies, such as Landestheater Linz or Staatstheater Kassel. He is an author of movement and composition method Dynamic Phrasing.
Credits
Choreography: Maciej Kuźmiński
Performers: Daria Koval & Monika Witkowska
Music: Colin Stetson “Awake on foreign shores” from album New History Warfare Vol. 2: Judges, © ℗ 2011 Constellation , Emile Mosseri “Darker Than This” from album Kajillionaire (Original Motion Picture Soundtrack), © 2020 Focus Features LLC, ℗ 2020 Back Lot Music, a division of Universal Studios Music LLLP. Both tracks remixed by Maciej Kuźmiński
Pandora
by Chen Shuchang & Shi Renqi
About the choreography Pandora
Some things have no end once they are opened. Is the only thing people can do is to think?
Such a sharp edge of time – AI, forces people to face the real context again, what will be the future world.
About the choreographer
Chen Shuchang, a student at the Academy of Arts of the People’s Liberation Army and Beijing Normal University, has served as a project dancer for the Beijing Modern Dance Company; was a former dancer for the Guangdong Modern Dance Company; and was a project dancer for the National Dance Company of Korea. She was featured in The Few at the China Peiqing Showcase Unit; won the Best Performer award at Masdanza for This Woman; and won the gold medal in the women’s adult group at the 2023 KlCDC for Bug and Angle.
Credits
Choreography: Chen Shuchang & Shi Renqi
Performers: Chen Shuchang & Shi Renqi
Music: Yin yiming
Sticky Ends
by Fan Xiaoyun
About the choreography Sticky Ends
Staggered cleavage. Open complementarity.
Reaction cyclization, DNA recombination, and so we connect.
Such cuts are called sticky ends.
Through the concept of sticky ends, we try to enter the language channel of this work, through which we discover ourselves in the relationship, and we want to explore the multifaceted nature of human beings in the universe, in the relationship, and our reaction under the game…
About the choreographer
Fan Xiaoyun, the rehearsal director of Xie Xin Dance Theater, is a full-time dancer. Her work Echo won the second prize in the Junior Female Modern Dance category at the 19th Seoul International Dance Competition. The dance video Shape and Qi was selected for the 2023 Arte Laguna Prize and exhibited at the Arsenale in Venice, Italy. The multimedia dance Shape and Qi was invited to perform at the opening ceremony on March 11th. Mercury is shortlisted for the Rotterdam International Dance Choreography Competition (RIDDC) 2023 .The Signal won the second prize of the 2023 Italian International Dance Talent Competition for Contemporary Dance Duo.
The company has traveled to France, Germany, Italy, Spain, Switzerland, Russia, Panama, Venice, Japan, Hong Kong, Finland, the Netherlands and other major art festivals for tours and exchanges.
Credits
Choreography: Fan Xiaoyun
Performers: Fan Xiaoyun & Xin Dijia
Music: Micka Liu Yiwei
RAKKE
by Louis Thuriot and Patricia George
About the choreography RAKKE
A piece performed by mother and son. ”Rakke” is a West Flemish (West Vlaams) word meaning “quarrel.” This piece is inspired by (our) family conflicts and the complex emotions they bring such as shame, pride, frustration, anger, and loss of control. Fights between parents and children have many layers, and by exploring them, we found a lot of inspiration. We noticed recurring patterns and asked ourselves: What sparks a fight? What is feeding the fight? How does it eventually resolve? These emotions are the foundation of our work, shaping the piece into our own personal story.
About the choreographer
Louis Thuriot (1996, Belgium) studied at Codarts and interned with PDC by Club Guy and Roni. He danced with TanzMainz (2018-2022) and Opera Ballet Flanders (2022-2024), working with choreographers like Alain Platel, Sharon Eyal and Rafaële Giovanola. In 2024, he became a freelance artist, exploring new creative collaborations.
Patricia George studied accordion and chamber music at the Royal Conservatory of Antwerp, earning First Prizes in both.
She toured globally with “La Tristeza Complice” by Alain Platel and collaborated with various production houses.
As a performing musician she writes her own music for Duo Accell (www.duoaccell.be).
Credits
Choreography: Louis Thuriot and Patricia George
Performers: Louis Thuriot and Patricia George
Music: Patricia George – Duo accell
